A.I. Artificial Intelligence () - A.I. Artificial Intelligence () - User Reviews - IMDb
Read the Empire review of A.I. Artificial Intelligence. Release date blend of Pinocchio, Blade Runner, and a whole lot more besides. Directed by Steven Spielberg. With Haley Joel Osment, Jude Law, Frances O' Connor, Sam Robards. A highly advanced robotic boy longs to become "real" so . Watch A.I. Artificial Intelligence movie trailer and get the latest cast info, a real boy in Steven Spielberg's A.I.: Artificial Intelligence (), a movie conceived by .
- A.I. Artificial Intelligence
- A.I.: Artificial Intelligence
- User Reviews
Marketing[ edit ] Warner Bros. There were to be a series of video games for the Xbox video game console that followed the storyline of The Beast, but they went undeveloped. To avoid audiences mistaking A. The bonus features also included interviews with Haley Joel OsmentJude LawFrances O'ConnorSteven Spielberg and John Williamstwo teaser trailers for the film's original theatrical release and an extensive photo gallery featuring production sills and Stanley Kubrick 's original storyboards.
This release featured the film a newly restored high-definition print and incorporated all the bonus features previously included on the 2-Disc Special Edition DVD. The website's critical consensus reads, "A curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism. There are flaws in it and I suppose I might have a personal quibble but it's so long since I wrote it.
The actual ending is overly sympathetic and moreover rather overtly engineered by a plot device that does not really bear credence. But it's a brilliant piece of film and of course it's a phenomenon because it contains the energies and talents of two brilliant filmmakers. Spielberg rewrote the adaptation Stanley Kubrick commissioned of the Brian Aldiss short story 'Super Toys Last All Summer Long'; [the] result is a curious and uncomfortable hybrid of Kubrick and Spielberg sensibilities.
Jonathan Rosenbaum compared A. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.
Spielberg responded to some of the criticisms of the film, stating that many of the "so called sentimental" elements of A. In fact, as the long-awaited 'collaboration' of Kubrick and Spielberg, it ranks as something of a disappointment. Plus, quite a few critics in America misunderstood the film, thinking for instance that the Giacometti -style beings in the final 20 minutes were aliens whereas they were robots of the future who had evolved themselves from the robots in the earlier part of the film and also thinking that the final 20 minutes were a sentimental addition by Spielberg, whereas those scenes were exactly what I wrote for Stanley and exactly what he wanted, filmed faithfully by Spielberg.Will Smith Tries Online Dating
And all the parts of A. The teddy bear was Stanley's. The whole last 20 minutes of the movie was completely Stanley's. This was Stanley's vision. But I could see why. Because, obviously, I've done a lot of movies where people have cried and have been sentimental. A robot boy programmed to experience human emotions embarks on a journey of self-discovery. Sure, the film is loaded with Kubrickian touches it commences with a cold, eloquent style, it refuses to be rushed, it's brimming with enormous, philosophical debate, its ending is pottybut this is the work of a living, breathing master - and, boy, is he good.
Taking Kubrick's nurtured sapling, Spielberg adds love, ILM miracle-grow and a fierce intellect so often overlooked he scripted, rememberunfurling his imagination on a dazzling blend of Pinocchio, Blade Runner, and a whole lot more besides.
A.I. Artificial Intelligence () - IMDb
Big time sci-fi from a not really child's POV it may be, but forget a comforting E. The film seethes with an edgy coldness that must have been born in the Kubrick vaults.
Opening up with a familial drama, there is the nascent creepiness of a horror movie, as forlorn couple Monica and Henry Sam Robards are selected to take on David, a "mecha" robot child capable of love. But once you encode the love circuits there's no going back.
A.I. Artificial Intelligence Review
Naturally, Monica is freaked out, but her instincts to love take hold, even as she dares the irreversible. These are weighty questions, indeed: What does it mean to be real? What does it mean to love? Does the power to love make us real? What is the price of loving? In a mesmerisingly-controlled performance he creates a perfect balance between charm and otherworldliness, defying but imploring the watcher to empathise.
This is a mighty old talent for one so young. Following a traumatic sequence between "mother" and "child", the film shifts gear as David journeys to the "real" world.