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The tremendously varied objects are both spectacular and moving.
Masks and statues, gold jewellery, figurines of women, children and animals, stamps for creating patterns on fabric and skin, sculptures and objects relating to the sacrifices required to keep the Sun on its daily journey, chests, boxes for offerings, vases and ceramics, all reflect the mysteries surrounding this people. This true work of art was found in the House of the Eagles, next to the Templo Mayor, used for rituals and penitential ceremonies. The terra cotta statue of Mictlantecuhtli shows the god of death leaning forward toward humans.
With his skull-like face, pierced with holes for hair to be inserted, his shredded skin and clawed hands, stained with human blood, he is a terrifying sight!
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The pyramid shapes on his headdress are references to the mountains where the Aztecs believed Tlaloc stored the water that would later fall as rain. It may be a reference to the god Quetzalcoatl, whose face is emerging from the mouth of a serpent. A ceramic piece with three faces, adorned with 13 circular gems, or chalchihuitl, evoking the 13 months of the sacred calendar, is also stunning.
It decorated a brazier or a funerary urn, and shows the three phases of existence: This sublime piece expresses the cyclical principle of duality, so important in Aztec thought, where life is reborn from death. There are also images drawn from historic codices, photos of archaeological sites and remains, and different videos.
Then there are some unique hand-built and painted figurines made in Mexico to create a colourful, joyous scene depicting the vast Tlatelolco market held north of Tenochtitlan in days gone by. Exhibition themes The exhibition focuses on the founding of Tenochtitlan, capital of the Aztec Empire, their daily lives, the Templo Mayor, and of course the question of human sacrifices and the two Aztec calendars.
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It looks at many themes in their rich history: It also looks at the organization of Aztec society, with its different classes, a fascinating subject that addresses the role of women, education and the administration of justice. Aztec writing and the famous codices, manuscripts made up of glyphs or pictograms illustrating the spoken language, are examined in depth. Among this latter group were ancestral amphibians.
The reptiles appeared from labyrinthodonts in the subsequent Carboniferous period. The anapsid and synapsid reptiles were common during the late Paleozoicwhile the diapsids became dominant during the Mesozoic.
In the sea, the bony fishes became dominant. The later radiations, such as those of fish in the Silurian and Devonian periods, involved fewer taxa, mainly with very similar body plans.
The first animals to venture onto dry land were arthropods. Some fish had lungs and strong, bony fins and could crawl onto the land also. A modern jawless fish, the lampreyattached to a modern jawed fish Lamprey mouth Main article: Agnatha Jawless fishes belong to the superclass Agnatha in the phylum Chordatasubphylum Vertebrata. Agnatha comes from the Greekand means "no jaws".
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Although a minor element of modern marine faunajawless fish were prominent among the early fish in the early Paleozoic. Two types of Early Cambrian animal apparently having fins, vertebrate musculature, and gills are known from the early Cambrian Maotianshan shales of China: They have been tentatively assigned to Agnatha by Janvier. A third possible agnathid from the same region is Haikouella.
A possible agnathid that has not been formally described was reported by Simonetti from the Middle Cambrian Burgess Shale of British Columbia.