Extremely loud & incredibly close (Black (Abby (very beautiful and…
Jonathan Safran Foer´s novel Extremely Loud and Incredibly Close () with an of how the word and the image work as tools of representation dates back to the photographs of Grandfather´s hands with the YES/NO tattoo on them (fig. Literary Tattoos: Jonathan Safran Foer Extremely Loud and Incredibly Close. And whether or not it is clear to you; no doubt. More information .. yes, it's me. Extremely loud & incredibly close (Black (Abby (very beautiful and: Extremely loud has no and yes on his hand; he is the man that never talks. Back in the.
"Extremely Loud and Incredibly Close" by Jonathan Safran Foer
He vows to find what the key fits. He finds Blacks in the New York phone book and plans to meet each of them to see if they knew his father. He first meets Abby Black Viola Daviswho has recently divorced her husband. She tells Oskar she did not know his father. One day, Oskar realizes that a strange man Max von Sydow has moved in with his grandmother. This stranger does not talk because of a childhood trauma caused by his parents' death in World War II.
He communicates with written notes and with his hands which have "yes" and "no" tattooed on them. As they become friends and go together on the hunt to find what the key fits, Oskar learns to face his fears, such as those of public transport and bridges.
Eventually, Oskar concludes that the stranger is his grandfather and plays the answering machine messages for this stranger.
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Before playing the last message, the stranger cannot bear listening any longer, this message being his son's last words, and stops Oskar. Later on, the stranger moves out and tells Oskar not to search anymore. When Oskar looks at a newspaper clipping his father gave him, he finds a circled phone number with a reference to an estate sale. He dresses exclusively in white, plays the tambourine as he walks down the street, makes jewelry, obsessively searches the Internet and proclaims his favorite book to be "A Brief History of Time.
Oskar's problems begin when his father dies in the attacks on Sept. He also bruises himself on purpose, and he keeps a scrapbook titled "Stuff That Happened to Me," into which he pastes things he finds on the Internet, like pictures of decapitated soldiers and shark attacks, "even though I knew they would only hurt me, because I couldn't help it. And so he spends his weekends combing the city for people named Black -- the only clue he has -- on a mission he's decided to keep secret, separating him even further from the rest of his family.
What Oskar doesn't know is that he's not the only one with an emotional hole. His mother struggles through her grief with a male friend, whom Oskar, in typical 9-year-old fashion, highly resents as a father replacement.
His grandfather, Thomas Schell, remains tortured by the death of his first fiancie, Anna, and their unborn child, in the bombing of Dresden, a loss that has rendered him mute and dependent on a daybook and the "Yes" and "No" tattoos on his hands to communicate. And Oskar's grandmother ruminates over the destruction of her entire family, including that same Anna, who was her sister, and the knowledge that her marriage is based solely on this shared loss.5 Fact Friday! Dating Tattoo Artists, Tattoo Cost Regret?
Oskar's grandparents' narratives alternate with his; as Thomas writes letters to Oskar's father, whom he abandoned before birth and to whom he obsessively writes unsent explanations, Grandma who remains unnamed writes her story to her beloved Oskar. Shortly after returning home, Oskar reconciles with his mother and vows to become better and allow for her to find happiness again, and she tells him how Oskar's father lied to her in his last call, telling her that he was coming home, to assure her not to worry over his death.
Before going to bed, Oskar takes out his binder and proceeds to rearrange the pages in reverse in an attempt to relive the last few hours with his father and achieve closure. The novel has a parallel narrative that eventually converges with the main story. This narrative is portrayed through a series of letters written by Oskar's grandfather to Oskar's father Thomas, and by Oskar's grandmother to Oskar himself.
The letters written by Oskar's grandfather explain his past in World War II, his first love, and his marriage to Oskar's grandmother. The letters written by Oskar's grandmother explain her past in meeting Oskar's grandfather, the trouble in their relationship, and how important Oskar is to her. Upon learning of his son's death, Oskar's grandfather promptly returns to New York and tracks down Oskar and his grandmother.
His grandmother decides to let him live with her in her apartment temporarily, which results in them becoming intimate, and he watches over Oskar from afar before meeting him. Shortly after burying the letters with Oskar, his grandfather returns to the airport where Oskar's grandmother follows him.
After discussing the war, losing their loved ones and their marriage, they decide to stay in the airport for a while.
The final pages are a flip-book style animation of a photograph of a man falling from the World Trade Center. The animation makes the man appear to fall upwards.
He is an eccentric, intelligent, and clever young boy who self-identifies as a number of things including inventor, amateur entomologistorigamist, and amateur archaeologist.
He often contemplates deeper topics and shows great empathy beyond what the average 9-year-old might have. His thoughts have a tendency to trail off into far-flung ideas, such as ambulances that alert passerby to the severity of their passengers' conditions and plantlike skyscrapers, and he has several assorted hobbies and collections.
He is very trusting of strangers and makes friends easily, though he does not have many friends his own age. In the film it is alluded that he has Asperger's syndrome. Oskar mentions being taken in for testing in his first interaction with Abby Black, however he states that " After Thomas's death, Linda tells Oskar "I won't fall in love again. Oskar's grandmother is a kind woman who is very protective of Oskar.
She calls out to him often, and Oskar always responds with "I'm okay" out of habit. When she arrived in the United States, she read as many magazines as she could to integrate herself into the culture and language. As Anna's Oskar's grandfather's first love younger sister, she enters into a tumultuous marriage with Oskar's grandfather, and the couple breaks up before the events of the novel.
Full text of "Extremely Loud And Incredibly Close"
Black is an elderly man who is one hundred and three years of age, who lives in the same apartment building as Oskar, and joins him for some of his journey.
Prior to meeting Oskar, Mr. Black had not left his apartment in twenty-four years, after having had a rather adventurous life. He is nearly deaf, and cries after Oskar turns on his hearing aids after a "long time" where he was unable to hear.
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Oskar's grandfather, Thomas Schell Sr. After the death of his first love, Anna, Oskar's grandfather loses his voice completely and consequently tattoos the words "yes" and "no" on his hands. He carries around a "daybook" where he writes phrases he cannot speak aloud. He marries Anna's younger sister, Oskar's grandmother. Anna is an absent character.